Reflects on reading as a lived experience and a scholarly field by bringing together two modes of writing, the academic and the autobiographical, for the first time Maps an unbounded, extra-disciplinary space of enquiry into the history of reading, crossing literary studies, critical theory, media history, law, philosophy, and neuroscience, while engaging with an array of major...(展开全部)

Reflects on reading as a lived experience and a scholarly field by bringing together two modes of writing, the academic and the autobiographical, for the first time Maps an unbounded, extra-disciplinary space of enquiry into the history of reading, crossing literary studies, critical theory, media history, law, philosophy, and neuroscience, while engaging with an array of major...(展开全部)

和田惠美对我之影响并非在造型上，而是对细节无以复加的挑剔。《英雄》里，她实验各种面料的混织法与染色法，日日泡在染坊里，以求54种不同的红色。雨中的武士那出戏，她则要实验灰色面料的干湿颜色效果。她给章子怡的衣服做了一朵精致的小襟花，待到开拍时，她拉住杜可风的袖子，一再提醒：“你千万要把那朵襟花拍拍清楚啊。” ---by Ian Lin

AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is i...(展开全部)

AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is i...(展开全部)

From the creator of Big Bear Hug comes the comic-adventure story of a mild-mannered moose who learns how to take life by the antlers. This moose may live in the wild, but he doesn't act it -- he watches from the sidelines as his friends have fun. Every now and then, he wonders if he's missing out on anything. When the moose finally takes a chance and goes on a solo sailing trip...(展开全部)

林·亨特（Lynn Hunt）获斯坦福大学哲学博士学位，加利福尼亚大学洛杉矶分校欧洲现代史欧根·韦伯（Eugen Weber）讲席教授。著有、编有若干著作，包括最近的《发明人权》（Inventing Human Righis，2007）和《度量时间，制作历史》（Measuring Time，Making Histony，2008）。其与他人合写的有关18世纪早期欧洲之宗教宽容的著作在印刷中。 托马斯·R. 马丁（Thomas R. Martin）获哈佛大学哲学博士学位，圣十字学院古典学杰里迈亚·奥康纳（Jeremiah O'Connor）讲席教授。著有《古典希腊的主权与硬币》（Sovereignty and Coinage in Classical Greece，1985）、《古代希腊》（Ancien Greece，1996，2000）。“珀修斯：古...(展开全部)

From one of our preeminent neuroscientists: a landmark reflection that spans the biological and social sciences, offering a new way of understanding the origins of life, feeling, and culture. The Strange Order of Things is a pathbreaking investigation into homeostasis, the condition of that regulates human physiology within the range that makes possible not only the survival b...(展开全部)

From one of our preeminent neuroscientists: a landmark reflection that spans the biological and social sciences, offering a new way of understanding the origins of life, feeling, and culture. The Strange Order of Things is a pathbreaking investigation into homeostasis, the condition of that regulates human physiology within the range that makes possible not only the survival b...(展开全部)

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。